A comic writer/artist inspired by Samurai Jack, Tintin and a bunch of other stuff.

 

2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.

6 tips on writing from John Steinbeck (via explore-blog)

(Source: )

93 year old camera & lens + DSLR = amazing photos

Creative thinking at its best.

todaystomorrow:

Well almost… I’ve had this Piccolette Contessa-Nettel (1919) folding camera for ages. Its been a great piece of photo history sitting on my shelf. Was curious if it could make pictures again, so I hacked it onto my 5D. Here are the results. WOW!!! IT’S ALIVE!!!

Zeiss Ikon 7.5cm f6.3 (wide open)
This lens is almost 100 years old and look how sharp it is…this blows my mind.

Zeiss Ikon 7.5cm f6.3 (wide open)
AT 100% CROP

Zeiss Ikon 7.5cm f6.3 (wide open)
Lens flare…not what I expected but very nice.

inquires: www.bognacki.com  or j@bognacki.com

Make good stuff, then make it easy for people to buy it. There’s your anti-piracy plan.

Jonathan Coulton is wise.

http://www.jonathancoulton.com/2012/01/21/megaupload/

(via neil-gaiman)

I wish I had summed it up so smartly. But you know me: talk talk talk.

(via areasofmyexpertise)

Twelve Things You Were Not Taught About Creative Thinking In School

dresdencodak:

ktshy:

Some inspiration to get y’all pumped up for the week!

An excellent breakdown. The most important, in my opinion, is “creativity is WORK.”

(Source: laurenge)

I actually find this to be much more compelling than The Dark Knight Rises…

comicscavern:

The Lion King Rises

A short review of The Adventures of Tintin

I’ve been a fan of Tintin for about 20 years, ever since I was a kid on annual visits to India.  DC & Marvel comics were in extremely short supply so I lived on The PhantomTintin & Indian comics. Hergé’s stories were great, globetrotting mysteries while the art was a feast for the eyes.  With books in short supply I would read and re-read and pore over my Tintin books.  I’d wanted to see a Tintin cartoon for years (and missed the ’90s tv series completely) so I was *extremely* excited from the first time I heard about this movie.

What I loved

  • The title sequence - best bit of 2d animation since the intro to Kung Fu Panda. All the references to the various Tintin adventures were really nice, I kept trying to catch each one.
  • The action scenes - it’s clear Spielberg went to town with the ‘camera’ work, freed from limitations imposed by physical cameras & people.  This was the best ride I’ve had in a theatre since Raiders of the Lost Ark. (kinda coincidental since Spielberg discovered Hergé when a review of Raiders in 1981 compared it to Tintin)
  • The story - it was a regular Tintin story (based on 3 of the comics) and not a half-assed, Hollywood-ized version mangled by multiple screenwriters & directors.  If they make a sequel done again by Spielberg & Jackson, I’m already sold.
  • Thomson & Thompson came off really, really well, with much more depth than the comics, but they retained their expected buffoonery.
  • Captain Haddock - without a doubt - was the star of the movie.  Andy Serkis rocks.
  • A cameo from Hergé himself was a pleasant surprise.
  • It was cool to see realistic versions of all the classic Hergé faces.

Maybe mo-cap isn’t so bad

  • I wasn’t sold on motion-capture before, in spite of it working out so well with Gollum in LOTR.  Would it work for a whole movie?  In some of the previews of the movie, the motion looked strange and a tad ‘off’ but these were mostly fixed.
  • The realism of the environments, etc, was a big plus in suspension of disbelief.  Maybe it helped with some of the action sequences too - I wondered if I responded more to a car crash because it looked real vs the more cartoony Pixar cgi style.

What made me scratch my head

  • The worst animation in the whole movie was … Tintin’s face.  While Haddock & the bumbling cops had wonderful, expressive faces & eyes, Tintin had the facial nuances and expressiveness of Jocelyn Wildenstein.  He more than anyone dipped into the uncanny valley a LOT.  You’d think the character the movie’s named after would have the most expressiveness.  Instead, they seem to have spent time on tiny facial hairs that are visible in the many close-up profiles of his face.  Perhaps Jamie Bell - who played Tintin - is not in the same league (or planet) as Andy Serkis.
  • Snowy looked rather strange.  I think his design was weird, like half way between a dog & a cartoon.

In the end, two thumbs up!

Overall, it’s a well-done, fun movie that had me wishing for more at the end.  I would have been happy with a 2d version using Hergé’s art (and still am) but I found the mo-cap to be a very pleasant surprise.  I’m extremely curious to hear opinions from people who saw it and were not at all familiar with Tintin before - what did y’all think?

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